Histoire de l’art du Moyen Âge

L'étude de l'histoire de l'art du Moyen Âge englobe tous les genres artistiques des pays de l'Europe occidentale et centrale de la fin de l'Antiquité jusqu'à la fin du Moyen Âge dont les limites sont d'ailleurs difficiles à déterminer.

En outre les représentants de la branche souhaitent actualiser l'étude du Moyen Âge dans le sens de "l'histoire totale" en essayant de montrer que les structures sociales et mentales du Moyen Âge continuent de laisser une empreinte dans les activités artistiques des temps modernes.

Plus d'informations

Site internet de la chaire

  • Equipe
    Michele Bacci

    Prof.ord.

    MIS 02 – Bureau 2023
     +41 26 300 7946
     E-Mail

    Réception: lundi 17h-18h pendant le semestre

    Profil personnel

    Thomas Kaffenberger

    Dr ass.

    Miséricorde – Bureau 2022
     +41 26 300 7944
     E-Mail

    Réception: sur rendez-vous

    Profil personnel

    Lilian Juriens

    Secrétaire

    MIS 05 – Bureau 5142
     E-Mail

  • Recherche
  • Publications

    Dernières publications

    • Bacci, Michele, (with Thomas Kaffenberger and Manuela Studer), Cultural Interactions in Medieval Georgia, Wiesbaden: Reichert, 2018 [‘Scrinium Friburgense’ 41];
    • Bacci, Michele, ‘Giotto’s Quadrilobes: Transmigrations of Italianate Ornaments in the Eastern Mediterranean’, in Angeliki Lymberopoulou (ed.), Cross-Cultural Interaction between Byzantium and the West, 1204-1669, London and New York: Routledge, 2018, 132-151;
    • Bacci, Michele, ‘Devotional Panels as Sites of Intercultural Exchange’, in Maya Corry, Marco Faini and Alessia Meneghin (eds.), Domestic Devotions in Early Modern Italy, Leiden-Boston: Brill, 2018, p. 272-292;
    • Bacci, Michele, (with Angela Schiffhauer, Vesna Šćepanović, Argyri Dermitzaki, and Sophia Zoitou), ‘Traveling, Seeing, Dreaming’, in Ivan Foletti, Katarína Klavčíková, Adrien Palladino and Sabina Rozenbergová (eds.), Migrating Art Historians. On the Sacred Ways, Rome-Brno: Viella/Masaryk University, 2018, pp. 349-396;
    • Campobasso, Gianvito, M. Bacci, A. Dermitzaki, V. Šćepanović, A. Schiffhauer, S. Zoitou, In a liminal space: the staging of site-bound holiness along the Venetian sea-routes to the Holy Land, in I. Foletti, K. Kravčíková, A. Palladino, S. Rosembergová (eds.), Migrating art historians. On the sacred ways (Convivia, II), Brno - Rome 2018, pp. 351-397, in part. pp. 371-379 (Off Albania);
    • Campobasso, Gianvito,  Les traces d’un art angevin en Albanie. Circulation artistique et transferts culturels dans l’art de l’Arbanon entre le XIIIe et le XVe siècle. Proceedings of the International Congress of Saint-Ètienne, Les officiers et la chose publique dans les territoires angevins (XIIIe-XVe siècle). Vers une culture politique ? Université Jean Monnet, 17th-19th November 2016, in "Collection de l'École française de Rome"  (f.c. 2019);
    • Campobasso, Gianvito, Per una topografia sacra dell'Adriatico fra Medioevo ed Età Moderna. Navigazione, pellegrinaggio, esperienze liminali e costruzione dei luoghi santi sulle rotte per la Terrasanta. Dalle fonti all'immaginario. Proceedings of the International Congress of Amalfi, Gli Amalfitani nella Puglia Medievale. Insediamenti, fondaci, vie e rotte commerciali, relazioni artistiche e culturali, Centro di Cultura e Storia Amalfitana, 15-16 December 2017 (f.c. 2019).
    • Grigoryan Savary, Gohar, "The Heritage of Ancestors": Early Studies on Armenian Manuscripts and Miniature Painting, in: Venezia Arti 27 (2018): S. 81-102;
    • Grigoryan Savary, Gohar, King Gagik Arcruni’s Portrait on the Church of Aght‛amar, in: Le onzième centenaire d’Aght‛amar: politique, art et spiritualité au royaume du Vaspurakan, hg. v. Z. Pogossian und E. Vardanyan, Leiden 2019;
    • Grigoryan Savary, Gohar, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar, in Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, 416-440;
    • Grigoryan Savary, Gohar, Two Armenian Manuscripts in Switzerland (with an annotated translation of a newly-found abridgement of the Commentary of Canon Tables attributed to Step‛anos Siwnec‛i), Le Muséon 2020 (forthcoming);
    • Grigoryan Savary, Gohar, Review essay of H. Z. Watenpaugh, The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Stanford University Press 2019, Journal of the Society for Armenian Studies 2020 (forthcoming).
    • Kaffenberger, Thomas, A rural church for an urban elite. Thoughts on the architectural concept and historical context of the unfinished church in Agios Sozomenos, Cyprus, in: The Art and Archaeology of Lusignan and Venetian Cyprus, hg. Maria Parani und Michalis Olympios, Turnhout 2019, S. 101–124;
    • Kaffenberger, Thomas, Portale als künstlerische Schaustücke und Orte sozialer Inszenierung. Die griechische Kathedrale der Panagia Hodegetria in Nicosia, Zypern, in: Das Kirchenportal im Mittelalter, hg. v. Stephan Albrecht, Stefan Breitling und Rainer Drewello, Bamberg 2019, S. 190–201;
    • Kaffenberger, Thomas, The so-called Unidentified Church No. 18. Observations on a minor urban church of the middle ages in Famagusta, Cyprus, in: The Many Face(t)s of Cyprus (ed. Dorina Glörfeld, Kim Kittig, Bärbel Morstadt and Constance von Rüden), Bonn 2019, p 57–75;
    • Studer-Karlen, Manuela, “Beobachtungen zu den Porträtdarstellungen auf frühchristlichen Sarkophagen”, dans: Privatporträt. Die Darstellung realer Personen in der spätantiken und byzantinischen Kunst, ÖAW, Tsamakda, V., Zimmermann, N. (Hrsg.), Wien 2019, 71-84;
    • Studer-Karlen, Manuela, “Les Typologies mariales dans l’art paléologue”, dans : Byzantina 36 (2019);
    • Studer-Karlen, Manuela, Rezension zu: N. Büchsenschütz, Iberische Halbinsel und Marokko. Repertorium der christlich-antiken Sarkophage Bd. 4, Wiesbaden, dans: GFA, 22 (2019), S. 1073-1082  
    • Vagnoni, Mirko, Chapter 15. King Gagik Arcruni’s Portrait on the Church of Ałt‛amar, in Z. Pogossian & E. Vardanyan (eds.), The Church of the Holy Cross of Ałt‛amar: Politics, Art, Spirituality in the Kingdom of Vaspurakan, Leiden: Brill, 2019, 416-440;

    • Vagnoni, Mirko, Two Armenian Manuscripts in Switzerland (with an annotated translation of a newly-found abridgement of the Commentary of Canon Tables attributed to Step‛anos Siwnec‛i), Le Muséon 2020 (forthcoming);
    • Vagnoni, Mirko, Epifanie del corpo in immagine dei re di Sicilia (1130–1266), Palermo, Palermo University Press [Artes], 2019, in press;

    • Vagnoni, Mirko, Sacralità regia e iconografia regia alla corte normanna di Sicilia, in Palatium Sacrum. Sakralität am Hof des Mittelalters: Orte – Dinge – Rituale, eds. M. Luchterhandt and H. Röckelein, Proceedings of the International Conference (Göttingen, June 18th–20th, 2015), Regensburg, Schnell & Steiner, 2019, pp. 223–242, in press;

    • Vagnoni, Mirko,, Meanings and Functions of Norman Royal Portrait in the Religious and Liturgical Context: the Mosaic of the Cathedral of Monreale, “Iconographica. Studies in the History of Images”, 18 (2019), in press;
    • Vagnoni, Mirko, Royal Epiphanies. The King’s Body as Image and Its Mise-en-scène in the Kingdom of Sicily (1130-1266), in Souls of Stone. Funerary Sculpture: from Creation to Musealization, ed. G. Rossi Vairo, Proceedings of the International Conference (Lisbon, November 2nd-4th, 2017), Lisbon, 2019, in press;
    • Vagnoni, Mirko, Guglielmo II e i suoi mosaici: tra intenti politici e sentimenti religiosi, in Giornate di Studi in occasione del 750° anniversario della Dedicazione della Basilica-Cattedrale di Monreale, Proceedings of the International Conference (Monreale, April 14th, 2018), Palermo, 2019, in press;
    • Vagnoni, Mirko, Federico II e la messa in scena del corpo regio in immagine, in Federico II: culture, tradizioni, immagini, ed. P. Colletta, Proceedings of the International Conference (Enna, May 10th–11th, 2018), Palermo, 2019, in press;
    • Vagnoni, Mirko, Review essay of H. Z. Watenpaugh, The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Stanford University Press 2019, Journal of the Society for Armenian Studies 2020 (forthcoming).
  • Conférences

    Conférences

    • Grigoryan Savary, GoharStuder-Karlen, Manuela, Workshop and international conference Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective, Universität Freiburg, 23–24.11.2020
    • Studer-Karlen, Manuela, Kaffenberger, Thomas, Bacci, Michele, Doctoral workshop, Dynamics of Artistic Interaction in the Swiss Space – Middle Ages and Early Modern Period, Musée d'art et d'histoire Fribourg, 29.09.2020;
    • Kaffenberger, Thomas, Multifunctional Liminal Spaces : Church Porches in medieval Georgia, dans la section “Georgia as a bridge between Cultures: Dynamics of artistic Exchange”, organisé par T. Kaffenberger et M. Studer pour Forum Kunst des Mittelelters, Bern, 19.09.2019;
    • Vagnoni, Mirko, The dead body of king Robert of Anjou (1343), dans le cadre du Colloque Fribourgeois "La mort du roi : réalité, littérature, représentation" , organisé par l'Institut d'études médiévales, Université de Fribourg, 9–11.09.2019;
    • Vagnoni, Mirko, Nouvelles recherches sur l’Arménie ancienne, Université de Genève, 31.05–1.06.2019;
    • Grigoryan Savary, Gohar, Nouvelles recherches sur l’Arménie ancienne, Université de Genève, 31.05–1.06.2019;
    • Campobasso, Gianvito, Eclecticism among multiple identities: the visual culture of Albania in the Late Middle Ages. International Symposium "Eclecticism at the Edges:
Medieval Art and Architecture at the Crossroads of the Latin, Greek, and Slavic Cultural Spheres c.1300-c.1550" organized by International Center of Medieval Art, the Society of Historians of East European, Eurasian, and Russian Art and Architecture, the Princeton Institute for International and Regional Studies, the Department of Art & Archaeology and the Index of Medieval Art at Princeton University (USA), 05-06.04.2019; 
    • Vagnoni, Mirko, L’iconografia di S. Ludovico di Tolosa e la dinastia angioina at "Il convento di San Ludovico tra storia e arte", International Conference of Accademia Valdarnese del Poggio di Montevarchi, 30.03.2019;
    • Grigoryan Savary, Gohar, With or against Byzantium? Art Historiographical and Methodological Problems in Early Studies on Armenian Miniature Painting, at the conference "Armenia & Byzantium: Perspectives on Cultural and Political Relations", University of Oxford, 22–23.03.2019;
    • Vagnoni, Mirko, Armenia & Byzantium: Perspectives on Cultural and Political Relations, University of Oxford, 22–23.03.2019;
    • Grigoryan Savary, Gohar, Why depict the king? Medieval Armenian reflections on royal images, at the conference "Meanings and Functions of the Royal Portrait in the Mediterranean World (11th-15th Centuries)", International Conference of University of Fribourg, 12–13.03.2019;
    • Vagnoni, Mirko, Royal epiphanies in the kingdom of Sicily (1130-1337), at "Meaning and functions of the royal portrait in the Mediterranean world (11th–15thcenturies)", International Conference of the University of Fribourg , 12–13.03.2019;
    • Grigoryan Savary, Gohar, Method and Manuscript, at the conference "The Armenian Art: Critical History and New Perspectives", Università Ca’ Foscari, Venezia, 21–22.02.2019;
    • Vagnoni, Mirko, The Armenian Art: Critical History and New Perspectives, Università Ca’ Foscari, Venezia, 21–22.02.2019.