| Description |
One of the fundamental aspects of the widespread critical definition of ‘medieval drama’ is the claim that such drama was produced and performed by men. Most scholarly studies treating this subject give women, at best, a passing mention. Yet, there is considerable evidence of women participating in theatrical and performative practices during the Middle Ages. Their participation could consist of ‘backstage’ work, of the composition, and, under certain circumstances, of the performance of dramatic events. This seminar therefore aims to bring attention to the oftentimes overlooked place of women in medieval drama. The analysis of little-studied plays and records will make students familiar with the various ways in which women took part in such activities. A second section of the seminar will then focus on the representation of female figures—such as Mary Magdalen, the Virgin Mary, or Noah’s wife—in a selection of medieval cycle plays, morality plays, and saints’ plays. |
| Training objectives |
Developing knowledge of the Middle English language Familiarity with medieval perceptions of women Acquaintance with devotional trends prior to the Reformation Knowledge of the performance of medieval theatre Understanding of the diversity of medieval performative practices |